Most film photographers believe that in order to shoot film 100% of the time they need to shoot outside. They really struggle when the weather turns cold or rainy or when they are asked to photograph a subject indoors. I know this because this is my story too!
I’m a photographer in Seattle, WA. Struggling with not enough natural light is my middle name!
January in Seattle. Sigh.
When I became serious about shooting film I really felt that I only had two options; push my film or go back to my digital camera and embrace hybrid shooting. I really didn't want to go back to my digital camera, so I settled on pushing.
I did my homework. I asked questions on all the forums I was on. I was ready! And excited. This was going to work! Woohoo!!!
And then the scans came back.
Super contrasty. Wonky colors. Not at all like the soft, airy images I was used to.
The black and white was a little better, but still not at all the kind of work my clients expected of me.
Defeated, I went back to my digital gear.
That was nearly two years ago.
If only I could go back in time and tell myself what I know now.
Here's the story, you can shoot film 100% of the time - even inside, even on super dark days. You can create soft, luminous images at every single session regardless of the weather. And you can do it without pushing your film or relying on your digital gear.
Let me show you how!
Over the next couple of weeks I'll be sharing tips on how to get started with studio strobes, so be sure to check back next Thursday!
And if you are already giving it a try, share your images with us with by using the tag #LBstrobes! We want to see your beautiful work!
And don't forget to SIGN UP FOR MY NEWSLETTER HERE so that you’ll be the first to know when The Missing Link: A Film Photographer's Guide to Studio Strobes is released!
Have a great day!